Classic Magazin 2019/3 (German)
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- 03 Editorial
- 10 Warm-up
- 16 Rendezvous in Paris: In France he is a star: Kyle Eastwood, first-born son of Hollywood legend Clint Eastwood. A day with the musician and a 280 SE 3.5 Cabriolet, W 111
- 26 Dreams aglow: New insights and impressions: A major photo series with a thermal imaging camera? Why not? W 100, W 142, V 126, C 197, R 199
- 38 Three courses with “Willi”: An O 319 minibus is the real star of a popular cookery series on German television, O319
- 44 Speed!: 125 years of motor racing: four motorsport legends and a junior driver up close
- 48 Taxi driver: Older Mercedes-Benz taxis have a long tradition in Northern Africa. A visit to Marrakech, W 123, W 124
- 58 Safety first: Reviewing 60 years of maximum safety under the Mercedes star, W 111, W 126, R 107, R 129, C 140
- 60 Three generations, two classic cars, one anniversary: Meeting by Lake Zurich, W111
- 68 Buyers’ guide: These well-balanced and elegant coupés have long been desirable classics, C 124
- 76 Shared passion: A boat and road trip – and an icy christening – with the Mercedes-Benz Club Norway in the Lofoten islands, W 121, W 124, W 136
- 90 Marketplace: Top Mercedes-Benz Classics ,A 209, W 109, W 221, R 129, V 116, W 111, W 121
- 75 Classics of the future
- 88 Ask Dr Giesefeld
- 98 Feuilleton
The Mercedes-Benz Classic magazine, which is published three times a year, puts the brand’s traditions and the unique history of Mercedes-Benz as the traditional automotive manufacturer worldwide in the spotlight.
The Mercedes-Benz Classic Magazine (text, photos, layout) is protected by copyright. Any unauthorized, in particular, the publication on the Internet, any unauthorized digital or analog and unauthorized duplication for commercial use, distribution or making available content, free of charge or for a fee is prohibited. Commercial use also includes use of the photos/text on social media (Facebook, Twitter, Instagram etc.) and their circulation within clubs/associations. This also applies to editing or other manipulation of the digital content.
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